2006 OAAG
Award Artist Projects
Derek Sullivan
The 2006
OAAG Award has been produced by Toronto artist Derek Sullivan as a limited
series of artist multiples and is similar conceptually to a recent Kiosk
project commissioned by the Toronto Sculpture Garden. Each OAAG Award
will be handmade including fragments of his related 2006 OAAG Awards
poster project I cried tears of joy when I held it in my hands.
Look for the poster to start surfacing in Toronto and Ottawa in the
week leading up to the event. Derek Sullivan holds a BFA from York University
and an MFA from the University of Guelph. His work has been seen in
exhibitions in Toronto, Vancouver, Montréal, Berlin, Shanghai and New
York. He is represented by Jessica Bradley Art + Projects.
Kent Monkman
The 2006
OAAG Awards celebration opens with a rare screening of artist Kent Monkman's
2005 film Group of Seven Inches. Produced at the McMichael Canadian
Art Collection in Kleinburg, in this film Monkman subverts the subjectivity
and authority of colonial history by illustrating the tenuous relationship
between artist and model, inspired by the diaries of 19th century North
American landscape painters George Catlin and Paul Kane.
Kent Monkman is
an artist of Cree ancestry who works with a variety of mediums, including
painting, film/video, performance and installation. His recent work
facilitates dialogue about colonial power relations using sexuality
as a forum to negotiate power. He has had solo exhibitions at the Art
Gallery of Hamilton and the Indian Art Centre, and has participated
in group exhibitions in Canada, USA, UK, and Mexico, including: "We
come in peace…" Histories of the Americas, at the Musee d’art contemporain
de Montreal, and The American West, at Compton Verney, in Warwickshire,
England. Monkman has created site specific performances at the McMichael
Canadian Art Collection, and at Compton Verney, and has also made super
8 versions of these performances that he calls "Colonial Art Space
Interventions". Monkman has won numerous awards from the Toronto
Arts Council, the Ontario Arts Council and the Canada Council. His award
winning short film and video works have been screened at various national
and international festivals. He has collaborated with Gisèle Gordon
on film and video works for over a decade, making such award-winning
films as A Nation is Coming and Blood River. His work is represented
in the collections of the National Gallery of Canada, Museum London,
the Woodland Cultural Centre, the Indian Art Centre, The Mackenzie Art
Gallery, and the Canada Council Art Bank.
Jeff Thomas
Ottawa-based
Jeff Thomas, curator, photographer and cultural analyst, will be present
documenting the 2006 OAAG Award winners with a series of commemorative
portraits based on his Delegate series.
Jeff Thomas is an Iroquois/Onondaga curator,
photographer and cultural analyst now living in Ottawa who has works
in major collections in Canada, the United States and Europe; including
the National Gallery’s Museum of Contemporary Photography, the Smithsonian
Museum of the American Indian, and the Musée de l’Elysée in Lausanne,
Switzerland. Jeff’s most recent solo shows were Jeff Thomas: A Study
of Indian-ness, Scouting for Indians in New York City and
Geronimo Was Here in Buffalo. He has also been in many group
shows, including Images of the American Indian, at the Birchfield-Penney
Art Center and Crossing Borders: Beadwork in Iroquois Life at
the Museum of Civilization. In 1998, he was awarded the Canada Council’s
prestigious Duke and Duchess of York Award in Photography. His specialty
is the exploration of historical cultural resources to bring voices,
stories and perspectives into the present. In his curatorial projects,
such as Emergence from the Shadow: First Peoples’ Photographic Perspective
at the Canadian Museum of Civilization and Aboriginal Portraits
at the National Archives of Canada, Jeff has mined the archival vaults
of non-Native visual and written records to recover lost elements of
Aboriginal history. Jeff’s personal photographic practice is concerned
with showing the perspective of an urban Iroquoian person.